Trot – Part Deux (Album)
Sand in the Hourglass ft. Poetry
Sweet ft. Suave [Prod. by Trot]
Tracklist & download link below…
Copyright 2011 I AM NOT A RAPPER
Sand in the Hourglass ft. Poetry
Sweet ft. Suave [Prod. by Trot]
Tracklist & download link below…
Copyright 2011 I AM NOT A RAPPER
A.d+ – Can’t Come Down
Copyright 2011 I AM NOT A RAPPER
Copyright 2011 I AM NOT A RAPPER
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
Copyright 2011 I AM NOT A RAPPER

Gage Money – Let Me Be The One
Copyright 2011 I AM NOT A RAPPER
Fathers of Eufaula City School students will have several opportunities to volunteer at their child’s school during the 2011-2012 school year.
This school year, states the NorthStar News & Analysis, the program also wants dads to volunteer 10 hours during the academic year at their child’s school. The Black Star Project also urges big brothers, uncles, grandfathers, male cousins and other male figures to participate in the program.
Copyright 2011 I AM NOT A RAPPER
The University of Pennsylvania’s prestigious Palestra — “The Cathedral of College Basketball” — will open its doors to the National Basketball Association, among others, when Team Philly vs. Team Melo (a Baltimore-based group) square off on Sunday, Sept. 25. Tipoff for the game is slated for 6 p.m.
The Team Philly vs. Team Melo event — also being called “The Battle For I-95″ — is being presented by Rahim Thompson, Commissioner of the Chosen League in Philadelphia.
Tickets for this game will be $50 for seats in the 100 sections (lower bowl) and $35 for seats in the 200 sections (upper bowl), with number of upper-bowl seats being donated to community groups throughout the city. Ticket information is available at the end of this release.
“We’re pleased that The Palestra was chosen as the site for this extraordinary exhibition of some of the greatest basketball players in the world,” said Penn’s Director of Athletics, Steve Bilsky. “These NBA players will witness firsthand what Philadelphians already know, that The Palestra is the most exciting venue for basketball in the country.”
The game will be broadcast live via the web on The Basketball Channel, hosted by Fox Sports’ Marques Johnson and Philadelphia basketball legend Gregory “Bo” Kimble.
Carmelo Anthony leads the Team Melo All Stars, who will face his former Syracuse teammate Hakim Warrick and his Philadelphia-born squad. Confirmed participants to date include Hakim, Carmelo, LeBron James, Kevin Durant, Chris Paul, Lou Williams, Wayne Ellington, Markieff and Marcus Morris, Jason Thompson and Ronald Murray.
A portion of the revenue generated by the game will go to charity including the West Philadelphia Community Center (where Warrick grew up playing basketball) and other community groups in the Philadelphia area.
“My Philadelphia All-Stars look forward to getting on the court and proving to Melo and the people of Baltimore/DC that the best ballers come out of Philly!” said Warrick. “Melo told me he was bringing a squad that can’t be beat so I have a few ‘all star’ surprises for him when my team takes the court on September 25.”
Ticket Policy for Team Philly vs. Team Melo Event
General Sale: Tickets will be available online starting at 3 p.m. at PennAthletics.com – maximum purchase four (4) tickets. A limited number of tickets will also be available starting Saturday at 10 a.m. at select Sneaker Villa stores in the Philadelphia area.
Penn Students: Members of last year’s Line will receive an email later today with information on how they can enter a lottery to win one free ticket to the game.
Penn Men’s Basketball Season-Ticket Holders: An email will be sent out later today with information on how they can enter a lottery to win two complimentary tickets.
Additionally, season-ticket holders and students can purchase tickets online along with the general public starting at 3 p.m.
Copyright 2011 I AM NOT A RAPPER
New York City Mayor Mike Bloomberg‘s announcement on Thursday, August 4 launching the Young Men’s Initiative was the culmination of a comprehensive 18-month study led by David C. Banks, Eagle Academy Foundation President and CEO, and Ana Oliveira, New York Women’s Foundation President. Banks was named co-chair to lead the important policy project in January 2010, and worked with top mayoral aides and City commissioners to identify strategies and interventions to produce better outcomes for young men of color. These strategies include a targeted $42 million to strengthen education resources for young men of color.
“I am so proud to have been a part of Mayor Bloomberg‘s Young Men’s Initiative where the Mayor has been fully engaged in this project since day one. This initiative is the first of its kind in the country where the private and public sectors have joined together to say that we intend to reclaim the lives of our young African American and Latino men. It is a call to action, a challenge, not only to the community and its leaders, but to the donor community, to step up and help us alter the future of these young men,” said Banks.
Banks and Oliveira gathered their findings and recommendations in a 23-page report, “Young Men’s Initiative: Report to the Mayor from the Chairs.” You can download your copy here.
Eagle Academy Launches New Website
You can read about the Eagle Academy Foundation at our newly-designed website at www.eagleacademyfoundation.org
Help Inner City Young Men Get Back To School
Your tax-deductible gift to The Eagle Academy Foundation will support proven, effective educational initiatives that help inner city young men achieve academic success and get Back to School. To make a secure gift on-line, click here.
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The Eagle Academy Foundation | 105 East 22nd Street, Suite 625 | New York, NY 10010 phone 212-477-8370 | email info@eafny.org
Copyright 2011 I AM NOT A RAPPER
Greendale’s favorite diverse study group is back as Community returns for its third season of meticulously sharp writing and inspired story ideas. Unlike most comedies out there, and especially on NBC, this is one that genuinely has fun with its source material focused around the concept of college life. The premiere reminds viewers how things have changed since the series debut yet the character’s conflicting personalities still remain as strong as ever.
After last season’s terrific two-part Western/Star Wars spoof finale, Pierce humbly left the group after a year of lies, pills and jealousy that made him somewhat of an evil villain bent on destroying any happiness usually revolving around Jeff, and ultimately the group itself. The show’s writers have realized Pierce went off the deep end last season and want to bring his character back to being the narcissistic rude old man he originally was in the beginning. That’s what this episode was trying to reinforce, if you were excluded from the study group, how crazy would it make you become? Jeff learns this the hard way.
As usual, Community always has clever opening scenes before the credits and in the premiere, issues focused on the show’s cult following were addressed. During a dream sequence in song form, Jeff, Britta and Abed insist that things this year will finally be ordinary (boring) and therefore make them more appealing to society (viewers) compared to previous attempts. Once the three awake, you appreciate how Community enjoys being a constant inside joke among its loyal fans and is content with sacrificing widespread approval for originality. It’s a brilliant touch that fits in with the series’ attitude of sarcastic undertones.
The episode then gets us reacquainted with the study group after the summer break. Not much serious drama to unpack here but it appears that Troy and Abed are living together, which will most likely play a part throughout the season. The main plot device revolved around Jeff getting kicked out of Biology class, by Greendale’s first teacher who actually appears to know what he’s doing, and Pierce replacing his position. Annie also has a good bit where she hits Jeff with a dose of his own medicine, implying that they are still friends outside the study table.
As usual, Winger brushes this aside due to his over-sized level of arrogance and does his popular “I don’t need them” routine that Joel McHale continually nails. His antics trying to get back into the class and chasing Chang through the school’s air vents shows the desperate lengths someone will go to get back to normality.
Once Jeff goes off the hinges, his inner psyche is unveiled. The sequence in his mind is truly hilarious and unsettling at the same time (Jeff eating his phone). His attack on the table is a little unnecessary but it proves Jeff’s point that a piece of furniture can destroy the definition of friendship.
Things resolve themselves with Pierce acting as a scapegoat to get Jeff back into the group. Problems aren’t all fixed, but by the last shot in the episode it seems that things are back to normal for now.
The sub-plots this episode are interesting but don’t do much to evolve situations. Abed’s yearning for a new show to replace Cougar Town as his favorite pastime goes nowhere quick. While it’s initially funny, especially Abed’s creature-like squeal for comfort when he’s distressed (only Troy can calm him down), after a while, it grows old. Meanwhile Dean Pelton has his own continuing storyline too, as he gets in over his head when he takes on Greendale’s Vice Dean, played by the great John Goodman.
It’s fun to see the two square off, only for Dean Pelton to get whipped into submission once Goodman shows his true power of dominance. Having an actor of Goodman’s caliber added to the cast is a marvelous addition since he is someone who’s willing to be funny and extreme at any given time. The fact that Greendale has no money this season opens up a whole slew of doors for Community to enter with new ideas brewing on the horizon.
Chang, for example, appears to be the school’s security guard this semester, which will obviously lead to hilarity and countless moments of enforced chaos. Jeff’s remark after seeing him in full uniform pretty much sums it up, “this is the year we all die.”
Overall, it was a relatively somber episode that had more ups then downs. It was a gentle reintroduction for the study group while adding new elements that will grow over the course of time. Additions like Goodman and Michael K. Williams from HBO’s The Wire, as a former inmate turned science teacher, make the proceedings even more of a fresh viewing experience.
Community’s new season is off and running, so it’s just a matter of time before wittier movie parodies and more innovative filming techniques (remember the claymation episode from the last holiday special?) start popping up week after week. Fans of well-written and superbly performed comedy television can rejoice, Community has returned.
Copyright 2011 I AM NOT A RAPPER
Methadone and buprenorphine can change lives.
Around the globe, that message is what we hear time and again: the gold standard in drug treatment, these medications guarantee a stability that allows drug users to reestablish family ties, hold down steady jobs, and look after their health. To start anew. And in Ukraine, for instance, this second chance costs as little as $7 per month for each patient.
Filmmaker Igor Kuzmenko, a recipient of Open Society Foundations support, has chronicled the life-changing transformation opioid substitution treatment (OST)—either buprenorphine or methadone—can provide patients in Ukraine, in a series of web videos called The Right to Be Dependent. In the latest film, above, Kuzmenko tells the story of Evgeniy Selin, a Russian citizen who on buprenorphine has built a thriving pharmacy business in Donetsk, Ukraine. “Substitution treatment is a way out of the dead-end that is drug addiction,” as Evgeniy puts it. “Now my life is just beginning.”
Below Igor explains why OST is essential, what is standing in the way of more people receiving it in Ukraine, and how he became an unlikely documentary filmmaker.
Tell us a little bit about yourself.
I work for an NGO in Simferopol, Ukraine, that provides psychosocial support and case management to OST patients. I myself have been an OST patient for four years, and I can honestly say that this is the first time in my life that I love my job.
Last year I had the opportunity to go to Budapest and participate in a 10-day training on video advocacy organized by the Open Society Foundations, the Hungarian Civil Liberties Union and WITNESS. In this very short period, we—10 newcomers to filmmaking from different countries—were taught how to film, edit, and be decent journalists. At the end of the training we were encouraged to film our debut works. As a result, my first movie was born, “The Right To Be Dependent: Sergey.”
Why film the life stories of OST patients?
It’s strange, but it helps that I am not a professional filmmaker: my interviewees, knowing that I am not a journalist are less restrained and more open. It’s very important that I am a patient, too—I am one of them! So it’s like a counseling session “peer-to-peer.” They are sure that I will not betray them in any way. And I have no interest in “hot” facts—I never leave something in a film that could compromise a patient.
When I make videos about OST patients, I want only one thing: that all Ukrainian drug users are, once and for all, treated and viewed as human beings. I want nothing else! I want for OST patients to stop being viewed as some sort of scarecrows in our society. Perhaps we don’t deserve the light, but at least we deserve to be left in peace.
Who is the audience for your films?
First and foremost, it is anyone who can make an impact: “To all who compose the laws, I dedicate my work.” I don’t want to talk about “target audiences” now, though this is the definition for any documentary or video filmmaker.
At the training on video advocacy we were taught: “Your viewer is a granny in front of a TV set.” That’s the most precise definition of my audiences. If the film is made in a simple language, and if in five minutes I can, well, maybe not convert but at least have an opponent of methadone programs start thinking about these programs in a more positive way—I am ecstatic. I always show the film to my mom first—she is that woman in front of the TV! And if she doesn’t get something, my work is not done.
Tell us about Zhenya Selin, the title character of your film featured above. Why were you interested in his story?
Zhenya is a guy with an intense life story. A Russian citizen living now in Donetsk, Ukraine, today Zhenya is a perfect example of a drug user who has, on OST, established himself in society. But his is also another classic tale: youth on drugs, going to prison for theft, coming to terms with yourself, starting OST. And he has a grand personality. He is not afraid of hardships, or, if he is, he is good at concealing his fears. He is a talented businessman, and the pharmacy business he runs— it’s only the beginning. Do you think that living his dream would be possible if not for OST? Of course not! And that’s the answer.
It’s symbolic that Zhenya is a citizen of Russia to this day. Zhenya went to another country only so he wouldn’t die. He doesn’t break the ties that connect him to his motherland, he doesn’t change his citizenship. It’s clear that Donetsk would not appear in his life, if substitution therapy was available in Russia. We can talk about economic development, accessibility of housing, oil, but if the country can’t offer you one simple thing—an opportunity to choose a better path—is everything really so great in that country? We all know the answer.
Your latest film is dedicated to achieving uninterrupted OST delivery in Ukraine. Why choose this issue to feature?
It’s a big problem—the interruption of substitution treatment. You couldn’t even imagine it happening with another medicine: what if a diabetic is in a hospital to get his appendicitis removed, woke up after surgery and needed an insulin shot, and the doctors told him: “We are sorry, buddy, but you have to wait five to seven days, you can’t do it here, this is the surgical ward. When you are feeling well and go home, you can do it there.” Ridiculous, right? But this is exactly the issue. Addiction is also a chronic and untreatable illness, and OST is an essential medicine.
The reality is that the linkages between medical institutions of different categories and designations in our country are so complicated—they could drive a sane man crazy. Prescriptions are an ideal solution to this problem. In Simferopol, we are trying to push for this solution by piloting a prescription-based project. We hope that we are successful, there is no other way.
What else is standing in the way of scaling up OST programs in Ukraine?
There are many pressing issues. To be exact, all issues that concern OST are pressing. For one, the legal status of OST in Ukraine is extremely problematic—the risks that the medical workers must take to distribute the medicine are unprecedented and unreasonable.
Opportunistic infections are of great concern. Among them, tuberculosis and hepatitis C are leading in our country. We are all used to the fact that everyone in their medical history has a stamp that says, “Has had recent contact with a TB-infected person.” That is very scary! I can’t talk about hepatitis C because it upsets me so much. It’s my impression that everyone in our country is just pretending that the huge issue of hepatitis just doesn’t exist.
But luckily, everything I listed here can be changed. All we need is for people to understand that the issues of one particular group are common issues. So they should be treated as everyone’s problems.
What are OST patients capable of changing on their own? How?
First of all, we need to start respecting ourselves. Could you imagine this situation: a cop comes up to a regular person on the street and starts pawing them, and searching them, and cussing at them and at that, maybe the cop even gives this person a punch to the liver. Everything is possible in our country, but this doesn’t happen very frequently. But with OST patients, it happens all the time! And people talk and write about it, but not in the popular press, on the margins. And so what we have is that we are not considered normal people, proper citizens and we don’t have any proof of these violations.
Patients don’t bring such cases to court. OK, it’s scary, and you can expect anything from police, but this shouldn’t be just about fear. It also should be about self-respect. We are active citizens of this country—we work, we pay taxes. But we still perceive ourselves like we did when we were using illegal drugs—with no respect.
So, in Ukraine, we have this wonderful organization, Association of Substitution Treatment Advocates of Ukraine. It unites not only patients, but also those individuals who understand the importance and necessity of OST for Ukraine. I really hope that the Association will make its own statement that will change the situation for the better. I think this statement will be one word: RESPECT. With that we can do anything!
Copyright 2011 I AM NOT A RAPPER